This piece was composed by the concept of both transmigration of Buddhism and reincarnation of Christianity. The motive is from the formal court music; Sujechon where the piece intersects the ideas of Western and Eastern beliefs. The piece uses Western music sequence styles.
In the last part of the piece, the first part repeats again with a color of ensemble, which implies the rotation of souls. By perceiving life and death as one correspondence, death becomes the meaning of another new life.