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The expansion of the scope of musical materials and composing methods does not only mean the advancement of the history of music bust also the discovery of our senses that have existed all along but have not been recognized. The more abstract the target is, the more stimulated such senses become.
The recognition of the abovementioned facts can serve as the starting point for reaching the state of no distinction between sound and noise; sound and silence; tension and non-tension; the performer and audience; the performer and composer; myself and those; and existence and non-existence.